Thunderbolts 3D Movie Review

Thunderbolts*

3D Movie Review

by Jacob Scarberry


3D

This is easily one of the MCU’s best examples of what they can do with converted 3D. Right from the jump, there’s a great sense of depth and dimension—starting with Yelena skydiving off a skyscraper, which gives you that stomach-dropping sense of vertigo. There are a ton of pop-out moments too. Yelena, Bucky, and US Agent all aim their weapons straight at the audience more than once, and it ranges from subtle to straight-up in-your-face—and it’s awesome. One standout moment has OxCorp sentries pointing laser sights directly at you, and it really lands.

Now, I did notice a fair bit of ghosting in the backgrounds of some scenes. I’m not sure if that’s on the theater’s projector, the screen, or maybe the cinematography itself—but it’s worth noting. Still, Thunderbolts* is a first-rate 3D presentation and absolutely worth the upgrade if your local theater offers it.

Final 3D Score: 8/10


Movie

Hello Darkness, My Old Friend. This is definitely a change of pace from your typical MCU fare and I am here for it. Thunderbolts* is a far better movie than I expected.

Thunderbolts* opens with Yelena (Florence Pugh), still struggling with the loss of her sister from Avengers Endgame. She’s working for Valentina Allegra de Fontaine (Julia Louis-Dreyfus going full evil “Veep” here), drowning in depression and vodka, feeling completely lost. To make things worse, the closest thing she’s ever had to a father, Alexei (David Harbour), has kept his distance since the events of the Black Widow movie, which only deepens the emotional weight she’s carrying. Meanwhile, Bucky Barnes (Sebastian Stan) is now a congressman—yeah, seriously—and he’s investigating Val and OxCorp, who are caught up in a mess of shady dealings. Val’s on the verge of impeachment from her CIA position, and to cover her tracks, she starts erasing the evidence—by sending Yelena, US Agent (Wyatt Russell), Ghost (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) to kill each other and destroy everything, bodies included. In the chaos, they accidentally find Project Sentry: a guy named Bob (Lewis Pullman). These characters band together to survive, get revenge, and—despite themselves—start to become an actual team, all while facing their own demons.

This isn’t your average Marvel flick. No endless quips, no shaky-cam fight scenes, no SkyBeam™ finales. This movie goes deeper, to more unexpected places. Sure, there’s action to keep the casual fans hooked, but what really pulls you in is the psychological edge (think that junkyard fight in Superman III—yeah, that kind of cerebral). Thunderbolts* is one smart movie (far smarter than it looks). And somehow, director Jake Schrier (Paper Towns, Beef) pulls it off. The film balances brains and spectacle, and the script gives us solid storytelling, real character work, and actual laughs that don’t feel forced.

The acting is strong across the board, with Florence Pugh and Lewis Pullman standing out in particular. Their performances work not just individually, but because of the chemistry they share. Despite being a hodgepodge team, the group works surprisingly well together—and they’re genuinely fun to watch on screen.

If I have one complaint, it’s that the first half of the movie drags just a bit. There’s a whole stretch (in the gorgeous Utah landscape) that goes on for too long. A tighter edit could’ve trimmed 10 minutes and sharpened the pace.

Still, everything else fires on all cylinders. Thunderbolts* isn’t just one of the best post-Endgame films—it might be top-tier MCU, period. Don’t expect Marvel’s version of The Suicide Squad. Expect a smart, thoughtful comic book movie that kicks off summer 2025 in the best way possible—and man, do we need that right now.

Final Movie Score: 9/10



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Official Website :

https://www.marvel.com/movies/thunderbolts

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Captain America Brave New World 3D Movie Review

Captain America Brave New World

3D Movie Review

Written by Adolph Vega

captain America brave new world 3d movie poster

3D

The 3D presentation of Captain America: New World Order is predominantly depth-based. This approach draws you into the storytelling. The film cleverly uses intimate settings and long corridors to enhance the 3D effect. These choices add a pronounced sense of space and perspective. For example, one scene features the President seated at the rear of a long table. Precise camera positioning makes you feel as if you’re right there in the room, enveloped by the layered depth of the shot. Although there are occasional pop-out effects (NOT NEARLY ENOUGH), the overall emphasis remains on depth. One impressive example of the 3D visuals is the aerial dogfight above the Indian Ocean, which is both tense and visually stunning. In contrast, some darkly lit scenes do not work as well for the 3D visuals. Overall, the 3D aspect of Captain America: New World Order offers an enjoyable visual experience, even if it leaves you wanting more.

Final 3D Score: 7/10


Movie

Captain America: New World Order marks a bold foray into political thriller territory, and Anthony Mackie shines as the titular hero. His strong presence and unwavering conviction lend the film an added layer of gravitas, making his portrayal of the new Captain America truly compelling. The chemistry between Sam Wilson and Joaquin Torres (the new Falcon) is fantastic, capturing a genuine sense of brotherhood that enriches the storyline. Harrison Ford’s performance as President Ross further bolsters the film by providing seasoned depth to the ensemble. However, the narrative is intermittently bogged down by heavy exposition dumps that feel like spoon-feeding the story, and the overt political and racial messaging. I don’t disagree with the film’s sentiment but it should have been more subtle. The film comes off as rather heavy-handed and that might turn off some people.

The film’s action choreography is phenomenal, delivering many exhilarating sequences that counterbalance the more subdued, toned-down approach to comedy (compared to typical Marvel fare). Even though the movie runs a bit long, I still really enjoyed it. Viewers of the Disney TV show Falcon and the Winter Soldier will be rewarded, while the movie remains accessible for newcomers. The compelling villain adds tension to the politically charged narrative, and nods to the aftermath of The Incredible Hulk and The Eternals help weave together the broader Marvel tapestry. I did find the story a little predictable and reliant on many well-known spy, political, and action movie tropes. It’s unfortunate that some audiences might dismiss the film due to a reluctance to engage with a new black Captain America. It is also unfortunate that some audiences (maybe the same as previously stated) won’t enjoy this movie because they don’t care for or understand geopolitics.

Overall, Captain America: New World Order is an enjoyable, if imperfect, blend of action and political intrigue that I can easily recommend it.

Final Movie Score: 7/10



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Venom 3 The Last Dance 3D Movie Review

Venom 3: The Last Dance

3D Movie Review

Written By:  Adolph Vega


3D

Venom 3: The Last Dance surprises with its 3D quality, especially since darkly lit movies often struggle with this format. However, Last Dance defies expectations and offers a visually engaging 3D experience. The presentation is unexpectedly sharp, even in dimly lit scenes, allowing viewers to appreciate the full detail and atmosphere of the Venom universe.

One of the standout sequences occurs underwater, where the 3D truly shines with countless bubbles. Depth and layers of 3D are handled with a level of vibrancy that brings the scene to life, immersing viewers in an almost tactile experience. In moments like these, the 3D enhances the intensity, pulling the audience deeper into the film’s environment. The effect could have been utilized even more, however, as there are some points where the 3D remains subtle (Too subtle). One early sequence set in Mexico (with the dogs) looked phenomenal in 3D. Sadly this sequence flies by in a few seconds.3D depth is handled well in a few key moments (waterfall and elevator scenes).

The movie also has plenty of fun pop-out moments with the various venom appendages. Various sequences with close ups of monster mouths look especially good in 3D. While not every scene uses 3D to its fullest potential, the overall experience is well-executed. This is especially notable for fans who enjoy a mix of dramatic depth and lighthearted pop-out effects.

All things considered, Venom 3: The Last Dance delivers a solid 3D presentation that complements the action and playful tone of the movie. Obviously your experience may vary so try to find the best quality, brightest theater that you can.

Final Verdict: 7/10


Movie

The third installment of Venom’s story, Venom 3: The Last Dance, takes a different approach compared to its predecessors, opting for a more straightforward narrative. This streamlined story works to the film’s benefit, especially given the overly complex romantic drama that weighed down previous entries. By focusing on action, comedy, and straightforward storytelling, Last Dance manages to keep audiences engaged from start to finish.

One of the biggest strengths of this film is its sense of humor. The comedy lands well and leans into a ludicrous, almost absurd tone that’s genuinely hilarious (many belly laughs). Tom Hardy nails this final performance as both Eddie Brock and Venom. Whether it’s Venom’s bizarre banter or ridiculous moments that seem to embrace the character’s chaotic energy, the laughs are well-earned and frequent. The action sequences are abundant, keeping the film moving at a brisk pace with hardly a dull moment in sight.

However, the film isn’t without its flaws. There are several plot holes and contrived moments that are noticeable. I accurately predicted many plot points in this movie. Despite being a part of Sony’s larger Marvel universe, Venom 3 doesn’t connect to other Sony films, which may be disappointing for those hoping for a crossover or continuation from past movies.

Visually, the movie is well-shot, with crisp, appealing cinematography that captures the gritty charm of Venom’s world. The character development is basic, with some characters feeling more like plot devices than fully fleshed-out individuals. This includes the villain, who, while true to the comics, doesn’t offer much depth. The music choices are both fun and a bit on-the-nose, matching the film’s tone.

Ultimately, Venom: The Last Dance is an enjoyable, fun finale that emphasizes action over story. It might not tie up every loose end or deliver a deep narrative, but it provides a satisfying and entertaining experience for fans of the character. The Venom movie franchise ends on a satisfying high note. Venom: Last Dance is easily the best Venom movie in the trilogy.

Final Verdict: 7/10


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Official Website :

https://www.venom.movie/

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