Thunderbolts 3D Movie Review

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Thunderbolts*

3D Movie Review

by Jacob Scarberry

3D

This is easily one of the MCU’s best examples of what they can do with converted 3D. Right from the jump, there’s a great sense of depth and dimension—starting with Yelena skydiving off a skyscraper, which gives you that stomach-dropping sense of vertigo. There are a ton of pop-out moments too. Yelena, Bucky, and US Agent all aim their weapons straight at the audience more than once, and it ranges from subtle to straight-up in-your-face—and it’s awesome. One standout moment has OxCorp sentries pointing laser sights directly at you, and it really lands.

Now, I did notice a fair bit of ghosting in the backgrounds of some scenes. I’m not sure if that’s on the theater’s projector, the screen, or maybe the cinematography itself—but it’s worth noting. Still, Thunderbolts* is a first-rate 3D presentation and absolutely worth the upgrade if your local theater offers it.

Final 3D Score: 8/10

Movie

Hello Darkness, My Old Friend. This is definitely a change of pace from your typical MCU fare and I am here for it. Thunderbolts* is a far better movie than I expected.

Thunderbolts* opens with Yelena (Florence Pugh), still struggling with the loss of her sister from Avengers Endgame. She’s working for Valentina Allegra de Fontaine (Julia Louis-Dreyfus going full evil “Veep” here), drowning in depression and vodka, feeling completely lost. To make things worse, the closest thing she’s ever had to a father, Alexei (David Harbour), has kept his distance since the events of the Black Widow movie, which only deepens the emotional weight she’s carrying. Meanwhile, Bucky Barnes (Sebastian Stan) is now a congressman—yeah, seriously—and he’s investigating Val and OxCorp, who are caught up in a mess of shady dealings. Val’s on the verge of impeachment from her CIA position, and to cover her tracks, she starts erasing the evidence—by sending Yelena, US Agent (Wyatt Russell), Ghost (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) to kill each other and destroy everything, bodies included. In the chaos, they accidentally find Project Sentry: a guy named Bob (Lewis Pullman). These characters band together to survive, get revenge, and—despite themselves—start to become an actual team, all while facing their own demons.

This isn’t your average Marvel flick. No endless quips, no shaky-cam fight scenes, no SkyBeam™ finales. This movie goes deeper, to more unexpected places. Sure, there’s action to keep the casual fans hooked, but what really pulls you in is the psychological edge (think that junkyard fight in Superman III—yeah, that kind of cerebral). Thunderbolts* is one smart movie (far smarter than it looks). And somehow, director Jake Schrier (Paper Towns, Beef) pulls it off. The film balances brains and spectacle, and the script gives us solid storytelling, real character work, and actual laughs that don’t feel forced.

The acting is strong across the board, with Florence Pugh and Lewis Pullman standing out in particular. Their performances work not just individually, but because of the chemistry they share. Despite being a hodgepodge team, the group works surprisingly well together—and they’re genuinely fun to watch on screen.

If I have one complaint, it’s that the first half of the movie drags just a bit. There’s a whole stretch (in the gorgeous Utah landscape) that goes on for too long. A tighter edit could’ve trimmed 10 minutes and sharpened the pace.

Still, everything else fires on all cylinders. Thunderbolts* isn’t just one of the best post-Endgame films—it might be top-tier MCU, period. Don’t expect Marvel’s version of The Suicide Squad. Expect a smart, thoughtful comic book movie that kicks off summer 2025 in the best way possible—and man, do we need that right now.

Final Movie Score: 9/10


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Official Website :

https://www.marvel.com/movies/thunderbolts

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Captain America Brave New World 3D Movie Review

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Captain America Brave New World

3D Movie Review

Written by Adolph Vega

captain America brave new world 3d movie poster

3D

The 3D presentation of Captain America: New World Order is predominantly depth-based. This approach draws you into the storytelling. The film cleverly uses intimate settings and long corridors to enhance the 3D effect. These choices add a pronounced sense of space and perspective. For example, one scene features the President seated at the rear of a long table. Precise camera positioning makes you feel as if you’re right there in the room, enveloped by the layered depth of the shot. Although there are occasional pop-out effects (NOT NEARLY ENOUGH), the overall emphasis remains on depth. One impressive example of the 3D visuals is the aerial dogfight above the Indian Ocean, which is both tense and visually stunning. In contrast, some darkly lit scenes do not work as well for the 3D visuals. Overall, the 3D aspect of Captain America: New World Order offers an enjoyable visual experience, even if it leaves you wanting more.

Final 3D Score: 7/10

Movie

Captain America: New World Order marks a bold foray into political thriller territory, and Anthony Mackie shines as the titular hero. His strong presence and unwavering conviction lend the film an added layer of gravitas, making his portrayal of the new Captain America truly compelling. The chemistry between Sam Wilson and Joaquin Torres (the new Falcon) is fantastic, capturing a genuine sense of brotherhood that enriches the storyline. Harrison Ford’s performance as President Ross further bolsters the film by providing seasoned depth to the ensemble. However, the narrative is intermittently bogged down by heavy exposition dumps that feel like spoon-feeding the story, and the overt political and racial messaging. I don’t disagree with the film’s sentiment but it should have been more subtle. The film comes off as rather heavy-handed and that might turn off some people.

The film’s action choreography is phenomenal, delivering many exhilarating sequences that counterbalance the more subdued, toned-down approach to comedy (compared to typical Marvel fare). Even though the movie runs a bit long, I still really enjoyed it. Viewers of the Disney TV show Falcon and the Winter Soldier will be rewarded, while the movie remains accessible for newcomers. The compelling villain adds tension to the politically charged narrative, and nods to the aftermath of The Incredible Hulk and The Eternals help weave together the broader Marvel tapestry. I did find the story a little predictable and reliant on many well-known spy, political, and action movie tropes. It’s unfortunate that some audiences might dismiss the film due to a reluctance to engage with a new black Captain America. It is also unfortunate that some audiences (maybe the same as previously stated) won’t enjoy this movie because they don’t care for or understand geopolitics.

Overall, Captain America: New World Order is an enjoyable, if imperfect, blend of action and political intrigue that I can easily recommend it.

Final Movie Score: 7/10


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Deadpool and Wolverine 3D Movie Review

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Deadpool and Wolverine

3D Movie Review

by Jake Jarvis

3D

First, let's talk about the 3D. While the 3D is well done and deserves a great rating, it falls short of the Editor's Choice standard. Several fight scenes lack depth in the mid-range shots, which is disappointing given that the movie does feature some incredible 3D moments. One particularly jaw-dropping shot involves a back window, capturing a comic book-accurate scene in stunning 3D. Unfortunately, the movie doesn't have many 3D pop-out scenes, but the few it does include are well-executed. Despite the issues with some mid-range shots, the action scenes are visually impressive, with the 3D adding a poetic depth to the violence. This movie is a must-see in 3D and makes me wish the earlier Deadpool films had been made in 3D as well.

Final 3D Verdict: 8/10


Movie

When it was announced that Ryan Reynolds and Hugh Jackman would team up in a Deadpool and Wolverine movie directed by Shawn Levy, my expectations were sky-high. Levy and Reynolds had already worked together on Free Guy, a surprisingly good 3D rom-com about NPCs. Remarkably, this film not only meets but exceeds my highest expectations, delivering a blend of humor, action, and heartfelt moments that will delight fans of both characters. For comic book superhero movie fans looking for more substance than fan service and R-rated laughs, this might not be the movie for you.

 

From their first scene together, the chemistry between Reynolds and Jackman is electric. Reynolds' Deadpool is as irreverent and hilarious as ever, with his fourth wall-breaking antics providing a constant stream of laughs. Jackman's Wolverine brings a gruff charm and emotional depth that perfectly balances Deadpool's zaniness, and he delivers some great laughs himself. The dynamic between the two characters is the heart of the movie, and watching them bounce off each other is an absolute joy. It also helps that many of Deadpool’s friends from the earlier films are included, delivering both funny and heartfelt moments. Director Shawn Levy masterfully blends action and comedy, creating set pieces that are as thrilling as they are funny. The action sequences are top-notch, with Wolverine's brutal combat style contrasting beautifully with Deadpool's chaotic, over-the-top approach. Levy's direction ensures that these scenes are not only visually spectacular but also packed with witty banter and character moments that fans crave.

 

This is a hard R movie, with language that includes almost as many F-bombs as The Boondock Saints and more bloody violence than most slasher movies. THIS IS NOT A KIDS MOVIE! Fans will be thrilled by the many surprising cameos and in-jokes peppered throughout the film, adding an extra layer of enjoyment for those familiar with the wider Marvel universe. Some of the jokes are brutal, with lots of meta humor and digs at the current state of MCU films and the distinguished competition. 😉

 

The film also delves deeper into the characters' backgrounds and motivations, providing moments of genuine emotion amidst the chaos. Without giving too much away, there are scenes that will tug at the heartstrings and add a new layer of complexity to both Deadpool and Wolverine. Several characters get surprisingly great extended cameos, righting some of the wrongs of pre-MCU Marvel films.

 

Visually, the movie is a feast for the eyes. The cinematography is vibrant and dynamic, and the special effects are seamlessly integrated. This movie cost more than all the other Deadpool films combined, and it shows. While a few scenes could benefit from better CGI, they add to the film's absurd humor, intentional or not. The various fight scenes are incredible and epic. The soundtrack is near perfect, adding to the overall energy and irony of the movie. It's a shame no Sparks songs made the soundtrack, as that would have been perfection.

 

Deadpool and Wolverine is nostalgia porn fan service at its finest, delivering all those moments geeks have been dreaming about for decades. Sure, the plot is threadbare and just enough for a Disney Marvel TV episode, but the fights and the rapid-fire jokes and references will keep you entertained.

 

In conclusion, the Deadpool and Wolverine movie is a triumph of fan service. It's the CALIGULA of nostalgia porn; delivering all those fan service moments geeks have been dreaming about for decades. With stellar performances from Ryan Reynolds and Hugh Jackman, sharp direction from Shawn Levy, and a script that delivers humor, action, and fan service, it is a must-see for fans of the Marvel universe. Whether you're there for the laughs, the action, or the quirky absurdism, this film delivers on all fronts and then some.

Final Movie Verdict: 10/10


Learn more about how we rate 3D content via the link below:

https://www.3dor2d.com/3d-or-2d-ratingssystem/